Christopher Brakel (b. 1977) is a Boston-based composer of acoustic and electroacoustic concert music, an educator/arts advocate, a music copyist/engraver, and a technology consultant.
To date, his concert works have been commissioned and performed across the United States, in Canada, Colombia, the Czech Republic, France, Germany, and Italy. These performances have included prominent regional, national, and international festivals, conferences, and concerts, including the L.A. Composers Project, Darmstädter Ferienkurse, SEAMUS and SCI National Conferences, FSU Festival of New Music, June in Buffalo, Midwest Composers Symposium, and the Czech-American Summer Music Institute.
His collaborative multimedia works have been featured and awarded at festivals such as the Toronto Online Film Festival, Downstream International Film Festival, Not Still Art Festival, Boston CyberArts Festival, and ImageMovementSound.
He holds advanced degrees in composition from the Eastman School of Music at the University of Rochester (Ph.D.) and the University of Iowa (M.A.), and a B.A. in Music from the University of Minnesota, where he studied percussion and composition. Additionally, he is a member of the Pi Kappa Lambda National Music Honor Society. Dr. Brakel has held teaching positions at Chapman University, the Eastman School of Music, and the University of Iowa.
As a speaker, he has given lectures on Carlo Gesualdo and Georg Friedrich Haas (Monday Evening Concerts ) and on Paul Celan and Contemporary Music (University of Colorado, Boulder and RochesterInk Poetry Festival). His research focuses on musical semiotics and the relationship(s) between music and poetry, with special emphasis on the poet Paul Celan, as well as the music of the Swedish composer Allan Pettersson.